Ambient drone is something our resident DJ has quite the penchant for, so he was quite pleased to receive a poke about the latest Endless Floods offering, ‘Circle The Gold’. Having witnessed Year Of No Light at the second outing of Temples festival in Bristol, he was impressed by those, so finding there is a crossover with members was a good starting point for him.
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Slam Dunk 2019’s line-up is now officially booked, the festival releasing its final wave of artists today (Wednesday 13 February).
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With a backstory that reads like a Hollywood script (childhood player, disillusionment, bankruptcy, cage fighting and sadly the death of his father aged 54) David O’Neill went along to the first night of Kris Barras’ current UK tour wondering how good a guitarist could an ex-Mixed Martial Arts fighter be: he knew one thing – he wasn’t going to risk saying he wasn’t! There was no need for our man to worry about being put in a headlock; anyone who has played guitar from the age of six was likely to be pretty good…
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Mammoth Weed Wizard Bastard have always been something of an ethereal beast. Existing on the outer-edges of modern doom’s experimental, drowning-in-atmosphere sonics, the band offered a sense of overwhelming emotion which threatened to drown listeners with each crashing wave. Returning with ‘Yn Ol I Annwn’ (Welsh for ‘Return To The Underworld’), the band are reaching out further than ever before – with one crucial twist. As opposed to going deeper into the mire of doom atmospherics – as so many of their peers have – MWWB have cast their eyes to the heavens, going intergalactic with the introduction of moog synthesisers and cosmic soundscapes to push their boundaries further than ever before.
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It wasn’t too long ago that Gerald S was reviewing the debut by Johnny Seven that had been decades in the making. Well, you could essentially say the same for this one as Rosy Vista from Germany unleash their debut full length after first starting in the early ‘80s. Between this and John Diva and the Rockets of Love, Gerald has to keep reminding himself that this is 2019 and not 1985, and he doesn’t see that as a bad thing. Many probably just stopped reading, but he knows there is still an audience who loves this style because he doesn’t think he is alone… The question of if he likes it though always comes down to the actual songs…
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