Author: UberAdmin

Trident Waters – ‘Hollywood To Vegas’ (Self-Released)

London combo Trident Waters epitomize, and summarize, the essence of the NWOCR tag that has been appended to so many acts over the past half-decade or so, and helped to keep festivals such as Steelhouse, Ramblin’ Man Fair and even HRH alive and thriving during that period. Now, this is not meant in any form of denigration, as anything that helps keep the illustrious format of rock ‘n’ roll alive has to be applauded, right? The problem is that it is becoming increasingly hard for bands to lay down unique markers which set them apart from the likes of Rival Sons, The Answer, Bad Flowers, Florence Black or Blackberry Smoke in bringing something genuinely exciting to a revived format – or even help them rise above dross like Inglorious, The Treatment and the totally inane Greta Von Fleet in the fight for not only our attention but also our hard-earned dosh.

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Savoy Brown – ‘City Night’ (Quarto Valley)

While The Rolling Stones may be regarded as the most enduring (and, of course, successful) bands to have emerged from the British rhythm and blues boom of the early- to mid-Sixties, one of their most consistently proficient and under-rated contemporaries undoubtedly has to be Kim Simmonds, who formed Savoy Brown in 1965 and has now released what amounts to the band’s 40th album in a singularly impressive half-a-century long career.

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Brand Of Sacrifice – ‘Godhand’ (Unique Leader)

Brand Of Sacrifice, are back at it, producing their debut full length album, ‘Godhand’. Formed in 2018, Brand Of Sacrifice have previously produced an EP. This was well received by fans, which gained them a high following. The debut album is nothing short of pure hell and chaos, being mainly grouped to the genre of death metal. Although, the album has something for everyone, placing genres such as hardcore and slam into the mix. For fans of Bind The Sacrifice, Within Destruction and  The Black Dahlia Murder.

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