Author: UberAdmin

Maverick Festival 2019 Press Launch – London, Gibson Guitar Showrooms – 27 March 2019

One of the more interesting boutique festivals on the summer circuit is the Maverick Festival, dedicated to all things Americana, and set amongst the restored Victorian barns and out-buildings of Easton Farm Park in the Suffolk countryside. Established in 2008, the Maverick Festival is low the leading Americana event in the UK and has become a beacon for roots music from both sides of the Atlantic, whether it be country, bluegrass, Cajun and beyond.

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ALBUM NEWS: Clutch man proves he’s the ‘King Hobo’ with new project

King Hobo, the new project from Clutch drummer Jean-Paul Gaster, have announced that their debut album, ‘Mauga’, will be released on 31 May, via Weathermaker Music. The King Hobo line-up is completed by Thomas Juneor Andersson (Kamchatka) on vocals, guitars, and percussion, and Per Wiberg (Kamchatka/Spiritual Beggars/Candlemass/ex-Opeth) on vocals, bass, and keyboards.

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Iron Fire – ‘Beyond The Void’ (Crime Records)

Regarded as “Denmark’s best-selling power metal band”, Iron Fire could be construed as something of an anomaly within the genre, as they are actually would could best be described as a “power trio”, with bassist/vocalist Martin Steene and guitarist Kirk Backarach (no relation to Burt, we assume?) rejoined by original drummer Gunnar Olsen for this, their ninth studio album in their 19-year career, having first launched themselves into the metal Überverse in the midst of the ‘Thunderstorm’ (now apparently regarded as something of a cult classic, especially in their homeland) back at the turn of the millennium.

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Rescue Rangers – ‘Divisive’ (Klonosphere)

Marseilles’ Rescue Rangers don’t so much sound inspired by Helmet as they seem to have been scraped from the blacktop following the impact the New York alt metallers had following the release of ‘Betty’. But then, being compared to one of the 90s most scene-inspiring bands is by no means an insult, and what Rescue Rangers lack in direct individuality they more than make up for in both energy and addictive, meaty songwriting. While the band owe a considerable debt to the chunky sound of Helmet (not hurt by the inclusion of Page Hamilton at the mixing desk), Divisive has shades of so much of the 90s/00s guitar-rock sound, checking in everywhere from Nirvana to Toadies, Cave In and Therapy?, showing an omnivorous attitude to bite-sized rock songs that serves the band well.

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