Author: UberAdmin

Gov’t Mule – ‘Bring On The Music – Live At The Capitol Theatre’ (Provogue/ Mascot)

Having been a self-confessed “surn rawk” fan for many years the opportunity to do a review on the archetypal band of the genre was too easy a choice for our man from the valleys, who contends that anyone who knows anything about this genre would hold Gov’t Mule up there with the likes of Lynyrd Skynyrd and any of the other super groups of the style. 

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FESTIVAL NEWS: Four more bands take road to Damnation!

Quick – what’s the best thing about winter festivals? If you said “they’re indoors and there’s no fucking mud” you’d be about 80 per cent correct, but also a little wrong when considering the kinds of sludgy filth premier metal fest Damnation Festival has managed to swing over the past few years (just check out Inter Arma from this year’s line-up if you don’t believe us). The latest announcement for the Leeds based festival trades in the mud and filth of the summer for more arctic fury and bleak foreboding with the addition of a further four bands to the line-up.

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The Rods – ‘Brotherhood Of Metal’ (Steamhammer/SPV)

The name of The Rods is, quite rightly, deeply embedded in the history and mythos of the US metal scene. Formed in 1980 by David ‘Rock’ Feinstein, at the time best known as the cousin of Ronnie James Dio, alongside whom he had played in Elf in the first half of that band’s career. By 1982 The Rods had settled on what many fans regard as their seminal line-up, with Feinstein joined by bassist Garry Bordonaro and drummer Carl Canedy. It was this line-up that recorded what is still regarded, not least at ÜRHQ, as one of THE seminal American heavy metal albums of the early Eighties – ‘Wild Dogs’: it was an album that even helped them to bother the mainstream charts, thanks to their manic cover of the Motown classic ‘You Keep Me Hanging On’. Inevitably, as seemed to be de rigeur at that time, things quickly headed south, with their brief moment in the spotlight being just that, as dwindling record sales and label disinterest led to the band splitting in 1986. While Canedy embarked on a career in production (he helmed Anthrax’s ‘Spreading The Disease’ and Overkill’s ‘Feel The Fire’ among many others), Feinstein and Bordonaro virtually disappeared from sight, re-emerging some two decades later when they re-united for what was supposed to be a one-off festival appearance in Norway. Three years later, however, it seemed that the trio were back for the longer haul, with the 2011 release of ‘Vengeance’ and then… well, eight more years of silence, until now!

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Los Retros – ‘Retrospect’ (Stones Throw)

Los Retros is the creative outlet for 19-year-old singer-songwriter, Mauri Tapia. Since the age of 15 he has been creating and self-publicising his work via the likes of SoundCloud and making use of his high school facilities for production. His latest single ‘Someone to Spend Time With’ has earned a great deal of attention online with the accompanying video available on YouTube. The time has come now for the teenager to step up with the debut EP release of six songs via Stones Throw. Has Los Retros been able to create a springboard for future endeavours?

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