Author: UberAdmin

Bullets And Octane – ‘Riot Riot Rock ‘n’ Roll’ (Bad MoFo Records/Cargo)

Surely, it’s time for Bullets And Octane to make a comeback? They were touted as “Next Big Things” back in 2006 on the strength of their (excellent) second album ‘In The Mouth Of The Young,’ but any hopes of arena stardom were derailed when they got dropped by RCA. Fast forward a decade and chances are most rock fans will have forgotten them, but they’ve been quietly releasing albums on minor labels all this time and despite some significant line-up changes, never really went away. They had the spotlight taken off them is all.

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Über Rock (Re)Introduces… Alunah

It’s something of twist on our ‘Über Rock Introduces…’ feature, as this edition features a band with whom we have been more than familiar for quite a number of years now… but that’s exactly what we have here with the phoenix like re-emergence of Alunah! Since the departure of founding vocalist and guitarist Sophie, Sian Greenaway stepped quickly into the void left and the sound has blossomed from a female-vocalled Black Sabbath into a groove ridden stoner monster.

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The BIG Über Rock Interview – Cellar Door Moon Crow

Near identical fabulous beards and baby brown eyes peer out from under mounds of hair and various hats, very loud and very different. This is Sheffield band Cellar Door Moon Crow, brothers Phil and Tom Goodwin, who released their latest album ‘You Got This’ in November last year. After triumphing at last summer’s Ramblin’ Man Fair, they had set their sights on the now cancelled Download festival, where they were due to appear on the Dogtooth Stage on the Friday night.

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Bombs Of Hades – ‘Phantom Bell’ (Black Lodge Records)

This album delivers on exactly what John B wanted. There is an old school flair while still being modern and having their own sound. There are elements that hearken back to old school heavy metal while still having that death metal root. It is definitely death metal first and foremost. The heavy metal elements are more in how the tracks progress rather than tone. There is a nice rhythm that is set giving an interesting vibe to each track. This makes for a sound that nicely fits in the background when you are listening while working. It makes the album very approachable without feeling bland, as can often happen.

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