ALBUM NEWS: The Black Hands to open their ‘Electric Premier Theatre’ in May
Almost a decade after they first formed, Chesterfield blues-rockers The Black Hands will release their debut album, ‘Electric Premier Theatre’, on Friday 17 May.
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Author: UberAdmin
Seax – ‘Fallout Rituals’ (Shadow Kingdom Records)
Massachusetts based four-piece Seax are back with their fourth album. Formed in 2009 with the intent on bringing a classic metal sound to the masses, the band set about making their name through DIY hard graft and touring. Their debut release ‘High on Metal’ set the tone for the band and their following releases built upon the solid foundation work. 2019 sees the band honing their high-octane speed metal style further with ‘Fallout Rituals’. What can they offer up and will the album further cement their place in the metal halls?
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Dun Ringill – ‘Welcome’ (Argonauta Records)
As debut albums go, this one from Dun Ringill, who feature former members of The Order Of Israfel and Doomdogs among many other bands, is actually quite impressive. Featuring a sound that combines Scandinavian folk with a doom rock sound – a certain level of heaviness without going full out into it, as many other bands seem to be at this point. While the members know each other from other projects, that doesn’t always translate well into bonding musically – something DJ Astrocreep had been wary of prior to his first listen of this release…
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Bryan Adams – Liverpool, M&S Bank Arena – 3 March 2019
Well once again our mysterious Mistress Of The Moonlight and her partner in crime headed out into Liverpool for what was set, for them at least, to be a fabulous night. They were headed to the city’s M&S Bank Arena (once known as the Echo Arena), where they were set to watch the man who is well known for his famous Robin Hood sound track – Mr Bryan Adams!
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Foul Body Autopsy – ‘The Unquiet Dead’ (Self-Released)
The band are called Foul Body Autopsy, they’ve released work on Grindscene Records, the cover art is black and white, and their logo is almost unreadable. So, it stands to reason that this EP will be a constant barrage of pulverising riffs and raw fury, right? Almost as soon as it starts though, expectations are dashed. It rides into town on a precision engineered guitar riff and the next ten minutes is a textbook exercise in the art of shredding.
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