The Hornets ‘Another Place To Stay’ (Peones Records)
These Italian classic garage rockers don’t exactly display the same work ethic as the insect from which they take their name. It took them five long years to deliver their debut album (reviewed in these very pages back in July 2021). Back then, Monk defiantly declared that he was looking forward to hearing more from the Etruscan band: well, it’s just as well he didn’t hold his breath as it has taken them another three and a half years to get around to following it up…
Read MoreThe Über Rock Singles Club Daily Pick – Madison Violett
Not to be confused with the Canadian folk-pop duo from whose name she is separated by a single consonant, this young LA songstress is definitely going to be #Circling around many a playlist with this defiant debut blend of metalcore and pop-punk.
Read MoreThe Über Rock Singles Club Daily Pick – Slamdinistas
With Los Angeles quite literally burning to the ground, it seems somewhat appropriate, and absurdly ironic, that our latest choice should come from one of the city’s hottest, yet also coolest, rock ‘n’ roll troupes… oh yeah, indeed \m/
Read MoreThe Über Rock Singles Club Daily Pick – King Kraken
The Welsh warriors continue their relentless march towards the release of their second album by summoning their inner ‘Berserker’ on this suitably thunderous tribute to the legendary Viking warrior caste.
Read MoreThe Über Rock Singles Club – Jaunty January (Part One)
We may be only little more than a week into the new rock ‘n’ roll year, but things are already hectic busy here at ÜRHQ, with new releases galore already competing for that coveted inclusion either here on the main #SinglesClub playlist or as one of our #DailyPick selections. So, with that in mind, let’s crank the amps up to neighbour-annoying volume and dive straight into our first full selection of 2025, shall we?
Read MoreThe Über Rock Singles Club Daily Pick – Bob Vylan
As if the London grime punk duo didn’t #DreamBig enough the first time around, they are now doing so bigger than before with this reworked alternate version of one of the hit singles from their second album, this time around collaborating with their long-time friend and supporter Amy Taylor, lead singer of Amyl And The Sniffers.
Read MoreThe Über Rock Singles Club Daily Pick – PUP
The Toronto punks have just released their first new music in two years, and it’s not that we’re getting #Paranoid but they were definitely out to get our attention – and they definitely succeeded.
Read MoreMagnum ‘Live At KK’s Steel Mill’ (Steamhammer / SPV)
It was almost exactly a year ago that we heard the sad news of the passing of the great Tony Clarkin, founder and songwriter of Magnum, one of the most enduring and consistently great British rock bands of the last 50 years, just days before the release of his final Magnum album ‘Here Comes The Rain’. A fitting tribute to the man is this new live album ‘Live At KK’s Steel Mill’, the last official live recording of Magnum to feature Clarkin.
Read MoreThe Über Rock Singles Club Daily Pick – The Jellybricks
The veteran Pennsylvania melody makers return to the Club with not only their first new music of the new year but also the latest taster of their upcoming new album, which will see them #DreamingInStereo when it is released via our good friends at Wicked Cool Records in a few short weeks time…
Read MoreThe Über Rock Singles Club Daily Pick – The Defect
This side project from The Browning frontman Johnny McBee, which sees him team with the previously unknown Moon, is taking us on a trip ‘Into The Void’ with the latest single from upcoming debut album ‘Death X Destiny’:
Read MoreThe Über Rock Singles Club Daily Pick – Serpentyne
It’s hard to believe that it is almost five years since these symphonic metallers last graced these pages, but now they are preparing to regale us with ‘Tales From The Dark’ via the release of their new album, with the first story to be told being that of the ‘Prophetess Of Dreams’.
Read MoreEarly James ‘Medium Raw’ (Easy Eye Sound)
The title of this album is just how Monk likes his steak, with the blood still pumping through its veins and enough meat and gristle on the bone to keep him chewing rather than just biting in and gulping it down. In this regard, this is also an album that lives up to its name, as it is vibrant and visceral and so raw you can suck the very marrow off its bones and chew on the accompanying gristle until you’re ready to let it slide pleasingly into your audio digestive system.
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