By David O’Neill
Phil Campbell and the Bastard Sons delivered a powerful and memorable night at the Muni Arts Centre in Pontypridd on October 3, 2025, supported by notable local bands King Kraken and Häxan. The evening was a seamless blend of classic rock energy, heavy metal muscle, and fresh Welsh rock talent.
Opening the night was Häxan, a South Wales rock trio riding the momentum of their recent EP ‘Death of Me,’ produced by Grammy-nominated Romesh Dodangoda. Their set at the Muni showcased their evolution into a thicker, bolder metal sound, packed with adrenaline and catchy riffs, displaying raw energy combined with impressive musicianship, setting a heavy, engaging tone early on.
Their blend of rock and metal influences, driven by Sam Bolderson’s commanding vocals and solid rhythmic backing from Harriet and Jesse, wired the audience in anticipation for the headliners. Tracks like the punk-infused ‘Sirens’ ‘Collide’ and ‘Burn Alive’, and ‘Thirteenth Hour’ from the EP were well supported by the more established ‘Killing Time’ and ‘Black Sheep’ which hit hard live and hinted at a promising future for the band.
King Kraken followed with a commanding set of groove-heavy Welsh metal that showcased their distinct sound and tight live presence. The opening tape from ‘Clash of the Titans’ with Liam Neeson always gets a great response.
Frontman Mark Donoghue’s formidable stage persona and gravelly vocals were a highlight, backed by the band’s chugging riffs and pounding rhythms. Their set featured crowd favorites such as ‘Scream’ and ‘El Giganto’ soon had the local crowd engaged.
‘Berserker’ ‘Magnum Opus’ ‘Chainsaw Saviour’ carried the strength forward before the emotion of ‘Hero’ was dedicated to Marks father and anyone who has suffered bereavement. However, the finale of ‘March of the Gods,’ soon had the audience locked in and roaring.
The band’s use of theatrical elements and pyrotechnics in prior shows was anticipated to some degree, but on this night their focus was on raw energy and precise delivery, striking a satisfying balance between heavy riffs and melodic hooks. The recent departure of rhythm guitarist Pete Rose did little to dampen the atmosphere. Their commitment to engaging the crowd and supporting their fellow acts was also noted, adding to the warm atmosphere of the evening.
When Phil Campbell And The Bastard Sons took to the stage, the energy hit a new level. The Pontypridd native and former Motörhead guitarist led a tight, electrifying set that balanced homage with fresh vitality.
Wearing the legacy of the legendary band with pride, the group unleashed powerful renditions of classic Motörhead anthems like ‘Iron Fist’, ‘Damage Case,’ ‘Going to Brazil’ ‘Orgasmatron,’ as openers! ‘Metropolis’ (commented on by Phil as a staple of the Motörhead sets) was followed by ‘Born to Raise Hell’ and ‘Smiling Like A Killer’. There wasn’t a single track throughout the 90 minute set that left the capacity crowd disappointed.
Throw in the eponymous ‘RAMONES’ then the band’s chemistry was palpable, with blistering solos from Phil and his sons, thunderous rhythms, and vocals that captured the spirit of Lemmy perfectly by the larger-than-life Fury frontman Julian Jenkins. The crowd, a mix of longtime Motörhead fans and newer listeners, responded with enthusiasm, creating an electric atmosphere throughout the sold-out venue. The band’s mix of professionalism and fun on stage underscored their dedication to honoring the Motörhead legacy while forging their own path.
Overall, the Muni gig was a triumphant showcase of Welsh rock and metal talent, anchored by Phil Campbell and his Bastard Sons’ potent performance, but enriched by the intensity and passion of King Kraken and Häxan. The venue was buzzing with energy from start to finish, making it a night to remember for fans in Pontypridd.
To top it all the newly refurbished Muni Arts Centre has probably re-established itself as one of the sub 500 capacity go to rock music venues across South East Wales.