Author: Team Uber

Hound – ‘I Know My Enemies’ (Metalville)

The problem with the categorization of bands into specific generic pigeonholes is that it can lead to just that: the association of a specific musical style which does not necessarily suit either the band or their musical modus operandi, especially when the latter casts a much wider net than that initial pat post boxing. A case in point are these German retro-rockers, who could fit so easily into the broad church which recently has been branded as the “New Wave of Classic Rock”: but that is to do Hound something of a dis-service because, whereas the majority of the bands blithely so compartmentalized propound a style of blues-rock reminiscent of the heyday of Messrs Hunter, Ronson et al, this particular combo have so much more to offer, traversing seemingly disparate but comfortingly complementary styles, from folk to psychedelia, blues to ambient prog, and even disharmonic jazz, with an alacrity and ease that confounds as much as it enervates.

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Kärbholz – ‘Kontra.’ (Metalville Records)

Kontra.’ is the latest release from prolific German punk-metallers Kärbholz. Having released music without fail every year or two since their formation in 2003, to date they have ten previous albums, an EP and two splits to their name (alongside Knock Out and The Krays). Originating from the town of Ruppichteroth in western Germany Kärbholz have reached the lofty heights of the top ten in the mainstream music charts with their 2015 album ‘Karma’ and bettered it with a number two positioning in German mainstream music charts with 2017’s ‘Überdosis Leben (Live Overdose. Hey, did they just break the ‘K’ theme here?

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The Beast of Nod – ‘Multiversal’ (Self-Released)

When a band claims to be “the universe’s favourite intergalactic metal band”, it’s a very bold claim that Jonny B can’t help but be compelled to verify for himself. This is how he ended up spending his Saturday afternoon trying to wrap his head around ‘Multiversal’, which is the The Beast of Nod’s latest instalment of the science fiction tales of the Land of Nod. It already promises to be quite an ambitious feat of technical death metal with the appearance of some pretty high-profile guests including Joe Satriani and guitar wankery master Michael Angelo Batio. So without further ado, he strapped himself in and get ready for a tour of ‘Multiversal’.

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Drakkar – ‘Chaos Lord’ (Punishment 18 Records)

By this point, it should be pretty common knowledge that John B loves power metal. Epic tales, big sweeping movements, powerful vocals, and usually a very optimistic and cheesy tone. It is hard to not get lost in the music and nearly impossible to be in a bad mood while listening. JB always says power metal is his feel-good music. He also thinks it is a genre that takes an extreme amount of talent to get right. Needless to say, he was extremely excited to see ‘Chaos Lord’ in his email. The question is does it live up to the grand ideas he has of the genre? Or will it fall short?

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LANDMVRKS – ‘Lost In The Waves’ (Arising Empire)

John B loves it when a new album from a band he has never heard of before feels so completely nostalgic. ‘Lost In The Waves’ feels like it would fit right into playlists his friends and he were listening to back in high school. Back when they would still get together in person to play ‘Halo’ crowded around an old and tiny TV. For JB, it is almost a better way to relive that nostalgia than just re-listening to the music that you actually listened to back then because you still have that sense of discovery that was also present back then. hr absolutely gets that feeling here…

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